- hostility or ill feeling:
“the author’s animus toward her”
- motivation to do something:
“the reformist animus came from within the Party”
- Jung’s term for the masculine part of a woman’s personality. Often contrasted with anima.
The anima and animus, in Carl Jung’s school of analytical psychology, are the two primary anthropomorphic archetypes of the unconscious mind, as opposed to both the theriomorphic and inferior function of the shadow archetypes, as well as the abstract symbol sets that formulate the archetype of the Self. The anima and animus are described by Jung as elements of his theory of the collective unconscious, a domain of the unconscious that transcends the personal psyche. In the unconscious of a man, this archetype finds expression as a feminine inner personality: anima; equivalently, in the unconscious of a woman it is expressed as a masculine inner personality: animus.
The anima and animus can be identified as the totality of the unconscious feminine psychological qualities that a man possesses or the masculine ones possessed by a woman, respectively. It is an archetype of the collective unconscious and not an aggregate of father or mother, brothers, sisters, aunts, uncles, or teachers, though these aspects of the personal unconscious can influence the person for good or ill.
Because a male’s sensitivity is often lesser or repressed, the anima is one of the most significant autonomous complexes of all. It is said to manifest itself by appearing in dreams. It also influences a man’s interactions with women and his attitudes toward them and vice versa for women and the animus. Jung said that “the encounter with the shadow is the ‘apprentice-piece’ in the individual’s development…that with the anima is the ‘masterpiece'”. Jung viewed the anima process as being one of the sources of creative ability.
In the book The Invisible Partners it is said that the key to controlling one’s anima/animus is to recognize it when it manifests and exercise our ability to discern the anima/animus from reality.